In Chapter 3 we saw how to create multiple takes when recording. In particular, make sure you are familiar with the sections that cover Displaying multiple takes, Using Color Coded Takes and Working With Multiple Takes.
在第3章中,我们看到了如何在录音时创建多个片段。特别是,请确保熟悉有关显示多个片段、使用颜色编码片段和使用多个片段的章节。
Editing techniques covered in Chapter 7 can be applied to editing a project with multiple takes. You have two main methods at your disposal. You can:
第7章中介绍的编辑技术可以应用于编辑具有多个片段的对象。你有两种主要方法可供选择。您可以:
? Explode all takes to new ordinary tracks. You can then work on and edit each track separately and (if you wish) join them all back to a single track when you have finished, or
分解全部片段到新普通轨道。然后,您可以分别处理和编辑每条轨道,并（如果您愿意）在完成后将它们全部合并回一条独立的轨道,或者
? Explode all takes in place to fixed media item lanes. Fixed media item lanes will be considered from section 8.12 onwards.
就地分解全部片段到固定媒体对象子轨。固定媒体对象子轨将从第8.12节开始考虑。
? Work on and edit the various takes all within the single track on which they were recorded. We'll get to this method later in this section.
处理和编辑各种片段,所有这些片段都在录制它们的独立轨道上。我们将在本张稍后讨论此方法。
Unless stated otherwise, the examples in this section assume that you have free item positioning and fixed item lanes disabled for your tracks, and in preferences (Project, Track/Send Defaults). This is the REAPER default.
除非另有说明,否则本章中的示例假设您在首选项（工程、轨道/发送默认设置）中禁用了轨道的“自由摆放对象位置”和“固定对象子轨”。这是REAPER默认值。
Note: Most of the images shown in this chapter use the REAPER 5 color theme: the instructions, however, are exactly the same regardless of which theme you are using.
注意: 本章中显示的大多数图像都使用REAPER 5颜色主题：然而,无论使用哪个主题,说明都完全相同。
8 Managing, Comping and Editing Takes 8 管理、拼合和编辑片段