Automation is used to ensure that when your tracks are played, recorded changes in such things as volume level or panning can be recalled with the music in real time. At its simplest, for example, automation can lift the volume of a lead instrument during a particular break or passage, or add a little presence or warmth to the odd phrase here or there on a vocal track, to make it stand out in the mix a touch more.
自动化用于确保在播放轨道时,音量调节或声像等内容中录制的更改可以随音乐一起实时回放。例如,在最简单的情况下,自动化可以在特定的间歇或通路中,提高主奏乐器的音量,或者为人声中的古怪短语添加一些存在或温暖,使其在混音中更加突出。
A simple example of an envelope (for Volume) is shown here. The envelope here is displayed below the media item. The TCP shows an envelope panel with its own controls. When the track is played, its volume will rise and fall, following the shape of the envelope. In the second example (below) the same envelope is displayed not in its own lane but on top of the media item. Both methods have their advantages and disadvantages. The first makes it easier to work with the envelope, but uses more space. The second takes up less space, but makes editing tasks that little bit trickier. How your envelopes is initially displayed will depend on your Editing Behavior, Envelope Display Preference Settings. Keep in mind that you can change the display mode of an existing envelope at any time, using the Show envelope in lane toggle command on the envelope right-click context menu.
此处显示了一个简单的包络示例(用于音量)。在本例中,包络显示在媒体对象下方。TCP在轨道控件下方显示一个带有自己控件的包络面板。播放轨道时,音量会随着包络的形状起伏。在第二个示例中,相同的包络不是显示在其自己的子轨中,而是显示在媒体对象的顶部。这两种方法各有优缺点。第一种方式使处理包络变得更容易,但会占用更多空间。第二种方法占用的空间较少,但会使编辑任务变得稍微复杂一些。包络的初始显示方式,将取决于您的“编辑行为”--“包络”首选项设置。请记住,您可以随时更改现有包络的显示模式,方法是使用包络右键单击上下文菜单上的“在子轨上显示包络”的切换命令。
REAPER features two main types of automation - one method uses envelopes alone, whilst the other uses a rather more complex (and powerful) technique known as parameter modulation. This chapter will deal with creating and using envelopes. Parameter modulation will be covered in Chapter 19.
REAPER有两种主要的自动化类型——一种方法只使用包络,另一种使用更复杂(和更强大)的技术,称为“参数调制”。本章将介绍如何创建和使用包络。参数调制在第19章中介绍。 作者: 琴韵晓波 时间: 2021-7-4 13:10 点此转到本章目录点此转到总目录——【本文译者：王晓波，出处：视障者音乐制作交流基地】点此转到REAPER+SWS+OSARA中文语言包下载页面