22.8 编辑行为首选项——REAPER用户手册中文版

琴韵晓波

楼主 琴韵晓波说：
22.8 Editing Behavior Preferences
22.8 编辑行为首选项

The Editing Behavior page of Options, Preferences (shown here) includes a number of areas in which you can specify default settings in a range of matters that will affect how you work when editing your REAPER projects. Here is a summary of some of the most useful options:
“选项”、“首选项”窗口(如上所示)的“编辑行为”页面包括多个区域,您可以在这些区域中指定一系列事项的默认设置,这些事项将影响您在编辑REAPER工程时的工作方式。以下是一些最有用的选项的摘要:
● Specify your edit cursor behavior, in particular which of the following actions should cause the edit cursor to be moved: Changing time selection, Pasting/inserting media, and/or Stopping recording.
编辑行为
●指定编辑光标行为,特别是下列哪些操作应导致编辑光标移动: “当时间选区更改时”、“粘贴/插入媒体时”,与“录音停止时”。
● Specify whether or not to Move edit cursor on razor edit change.
“更改剃刀编辑时移动编辑光标”
●指定是否在剃刀编辑更改时移动编辑光标。
● By default link (or unlink) time selection and loop points.
“链接循环点到时间选区”
●默认情况下,链接(或取消链接)循环点到时间选区。
● Enable or disable the ability for loop points to be cleared by clicking on the ruler, and/or time selection to be cleared by clicking in arrange view. For example, if you want to click on the ruler as a means of repositioning the edit cursor then you probably won't want loop points automatically cleared.
●启用或禁用“单击标尺时清除循环点”的功能,以及“当编辑光标移到排列视图中单击时,清除时间选区”的功能。例如,如果您想要单击标尺作为重新定位编辑光标的方法,那么您可能不希望自动清除循环点。
● Adjust tab sensitivity of transient detection, both percentage sensitivity and dB threshold. Click on Adjust sensitivity to access the options in the Transient detection settings dialog (below right).
“调整灵敏度...”
●调整tab瞬态检测的灵敏度,包括百分比灵敏度和分贝阈值。单击“调整灵敏度...”,以访问瞬态检测设置对话框(右下方)中的选项。
● You can also specify whether to Tab thru MIDI notes and/or Treat media item edges as transients.
“按tab键切换MIDI音符”与“将媒体对象边缘视为瞬态”
●您还可以指定是否使用“按Tab键切换MIDI音符”和/或“将媒体对象边缘视为瞬态”。
● How REAPER should behave when locked items are included in a ripple editing selection. Options are Locked items interrupt ripple (ripple edit interrupted at first locked item but can be completed by repeating the action as often as required to choose which items are ripple edited), Locked items interrupt ripple pertrack (similar but on a per track rather than per item basis), Locked items unaffected by ripple (these are edited normally but other items are ripple edited), or Locked items are affected by ripple (lock ignored) (all items in selection are ripple edited, including locked items).
“锁定的对象波纹编辑时的行为”
●当锁定的对象包含在波纹编辑选择中时,REAPER应该如何操作。选项包括:“锁定的对象中断波纹”,(最初锁定的对象中断波纹编辑,但可以根据需要重复操作,以选择要编辑波纹的对象),“锁定的对象中断每条轨波纹”,(类似,但基于每条轨道而不是每个对象),“锁定的对象不受波纹影响”,(这些对象正常编辑,但其他对象波纹编辑),或“锁定的对象受波纹影响(忽略锁定)”,(选中的所有对象都波纹编辑,包括锁定的对象)。
● Whether to allow dual trim options shared media item edges only if both items are selected.
“仅当两个对象都被选中时,才允许双重修剪(编辑共享媒体对象边缘)”
●是否仅在选择了两个对象时才允许双重修剪选项共享媒体对象边缘。
● Whether crossfades should stay together during fade edits.
淡变编辑期间交叠淡变保持在一起
●在淡变编辑过程中,交叠淡变是否应保持在一起。
● Whether to automatically delete empty tracks created when dragging items below last track.
“拖回时,自动删除通过向下拖动对象至最后一条轨道下方时创建的轨道”
●是否自动删除在将对象拖动到最后一条轨道下方时创建的空轨道。
● Whether dragging the source start offset of the active take should adjust the offset of all takes.
“拖动活跃片段源的开始偏移量,从而调整全部片段的偏移量”
●拖动活跃片段的源开始偏移量,是否应调整所有片段的偏移量。
● Whether to split/trim/delete all items at edit cursor if splitting/trimming/deleting with no items selected. Disabling this will prevent, for example, all items being split if you press S with no item selected.
“如果没有对象被选中,则某些分割/修剪/删除操作会影响光标下的全部对象”
●如果未选择任何对象,是否分割/修剪/删除编辑光标处的所有对象。例如,如果在未选择任何对象的情况下按S键,禁用此选项,将阻止分割全部对象。
● Whether to add stretch markers to audio items when stretching razor edit area.
拉伸剃刀编辑区域时向音频对象添加拉伸标记
●在拉伸剃刀编辑区域时,是否向音频对象添加拉伸标记。

琴韵晓波

沙发 琴韵晓波说：
22.8.1 Editing Behavior, Envelope Display
22.8.1 编辑行为:包络显示
● Select the default range within which volume envelopes can be adjusted. Options range from -inf... +0dB up to -inf...+24dB.
“音量包络范围:”
●选择调整音量包络的默认范围。选项范围从: “-inf..+0分贝”至“-inf..+24分贝”。
● Specify a semitone range for per take pitch envelopes, also whether or not to snap.
“默认的单个片段音高包络范围:”与“吸附”
●指定单个片段应高包络的半音范围,以及是否吸附。
● Specify a display range (beats per minute) for the master project tempo map envelope.
“默认速度映射包络显示范围:”与“bpm”
●指定主工程速度映射包络显示范围(每分钟的拍数)。
● Whether or not to Show new envelopes in separate envelope lanes by default.
“在单独的包络子轨上显示新包络”
●默认情况下,是否在单独的包络子轨上显示新包络。
● When drawn over media, overlap envelopes if each is less than x pixels high. Enabling this option may create a more cluttered visual effect, but it will allow more height for editing envelope points.
●“在媒体上显示时,如果每个包络的高度小于x像素,则重叠包络”。启用此选项,可能会创建更杂乱的视觉效果,但它将允许更高的高度来编辑包络点。
● Whether to set the focus to new envelopes as they are added. This automatically selects them for editing, etc.
“添加包络或设置可见时,将焦点放在包络”
●在添加新包络时,是否将焦点放在新包络。这会自动选择它们进行编辑等。
● Whether envelope points are also selected with a time selection.
“包络选择跟随活跃包络的时间选区”
●是否也使用时间选区来选择包络点。
● Whether the first click on an unselected envelope will insert a point: check also mouse modifier settings.
“第一次单击未选中的包络即可创建点(取决于鼠标修改键设置)”
●第一次单击未选中的包络是否会插入点:另请检查“鼠标修改键”设置。
● Whether to add a transition point on stopping playback after recording automation.
●是否在录制自动化后停止播放时添加过渡点。
● Whether to Prevent mouse edits of single envelope points from moving past other points.
“阻止鼠标编辑的单个包络点越过其它包络点”
●是否阻止鼠标编辑的单个包络点越过其它包络点。
● Whether or not to Automatically show affected envelopes when moving data across tracks. Showing these can sometimes be visually confusing.
“跨轨道移动媒体对象时,自动显示受影响的包络”
●在轨道之间移动数据时,是否自动显示受影响的包络。显示这些有时会在视觉上令人困惑。
● Whether Changing the envelope shown in any lane should cause the envelope previously there to be hidden or moved to the media lane.
“更改包络子轨上的包络时:”
●更改任何子轨中显示的包络是否会导致之前存在的包络被隐藏或移动到媒体子轨。
● Whether edge points (at start and end of time selection) are added to envelopes when media items are edited, and/or when multiple points are edited, and/or when ripple editing or inserting time.
“编辑时自动添加边缘点:”
●当编辑媒体对象时,或编辑多个点时,或波纹编辑或插入时间时,是否将边缘点(在时间选区的开始和结束时)添加到包络。
● You can also specify a required transition time for automatically created envelope edge points. A longer setting can create a smoother transition.
“自动创建的包络点边缘的过渡时间:”
●也可以为自动创建的包络边缘点指定所需的过渡时间。较长的设置可以创建更平滑的过渡。
● Whether to use relative mouse edits for fader scaled volume envelopes only, or also for other envelopes. Note that relative mouse edits provide more Y-axis resolution, at the expense of the envelope points not following the mouse cursor.
“在以下包络上使用相对鼠标编辑”
●是仅对刻度推子式音量包络使用相对鼠标编辑,还是也对其他包络使用相对鼠标编辑。请注意,相对鼠标编辑提供了更高的Y轴分辨率,但代价是包络点不跟随鼠标光标。

琴韵晓波

板凳 琴韵晓波说：
22.8.2 Editing Behavior, Automation
22.8.2 编辑行为:自动化
● Set automation recording return speed and action transition time: i.e. the time taken for the envelope to return to its previous value when using actions to write envelope changes, and to apply when using write current values for envelope writing actions.
“自动化录制返回速度:”与“操作转换时间:”
●设置自动化录制返回速度和操作转换时间: 即,当使用操作写入包络更改时,包络返回到其以前的值所需的时间,以及当使用写入当前值进行包络写入操作时应用所用的时间。
● Whether to Automatically add envelopes when you adjust any parameters with write mode enabled. This makes creating envelopes fast and snappy, but means that with write mode enabled you will not be able to adjust any parameters without creating envelopes for them.
“在自动写入模式下调整参数时,自动添加包络”
●在启用写入模式的情况下,调整任何参数时,是否自动添加包络。这使得创建包络又方便又快速,但这意味着,在启用写入模式的情况下,如果不为参数创建包络,您将无法调整任何参数。
● For hidden envelopes, whether to display read automation feedback and whether to allow writing automation. For example, you might wish to allow the volume fader on an envelope to move with changes in volume, even though that envelope is hidden, providing read mode is enabled. Note that allow writing automation to hidden envelopes can risk making accidental changes to envelopes.
“显示读取自动化反馈”与“允许写入自动化”
●对于隐藏的包络,是否显示读取自动化反馈以及是否允许写入自动化。例如,如果启用了读取模式,您可能希望允许包络上的音量推子随着音量的变化而移动,即使该包络处于隐藏状态。请注意,允许写入自动化到隐藏包络中,可能会冒着意外更改包络的风险。
● Whether to reduce envelope point data when recording or drawing automation. Not enabling this can lead to more points being created than you might like.
“录制或绘制自动化时,减少包络点的数据”
●录制或绘制自动化时,是否减少包络点的数据。不启用此选项,可能会导致创建的点比您希望的要多。
● When recording automation stops, whether to add an additional point before the edit position, before and after the edit position, or not at all.
“当录制自动化并停止播放时:”
●当录制自动化停止时,是否“在编辑位置之前添加附加点”,“在编辑位置的前后都添加点”,或者“不添加附加点”。
● When pan/volume envelopes are added, whether trim is reset when the envelope is drawn. Options are Always, In read/write mode only, or Never. Setting this to Never may make the manual editing of such envelopes easier (by leaving you plenty of room both above and below the envelope).
“添加音量/声像包络时,应用修剪到包络并重置修剪:”
●添加声像/音量包络时,绘制包络时,是否重置修剪。选项为:“总是”、“在读取/写入模式下”或“从不”。将此设置为“从不”,可能会使手动编辑此类包络变得更容易(通过在包络上方和下方都留出足够的空间)。
● After recording automation in write mode whether to automatically switch to one of the other modes. The trim/read option is handy if you are inclined to forget to do this manually!
“在写入模式下录制自动化,当重复/寻轨/停止时:”
●在写入模式下录制自动化后,是否自动切换到其他模式之一。如果您倾向于忘记手动执行此操作,则“修剪/读取”选项非常方便!
● Whether where there are one or more latch mode envelopes, these should be reset to their initial states when looping occurs during playback.
“循环播放时重置锁存状态”
●无论在有一个或多个锁存模式包络的情况下,当播放过程中发生循环时,都应将其重置为初始状态。
● Whether to Always record to automation items and/or to Record to existing mom-selected automation items.
“总是录制到自动化对象”与“录制到现有未选中的自动化对象”
●是否总是录制到自动化对象或录制到现有的非选中的自动化对象。
● Whether new automation items should be looped by default, whether editing baseline/ amplitude in properties dialog affects pooled copies, and whether to Pool source data when pasting automation items and/or When copied and/or split by track/item razor edits.
“默认循环新自动化对象”、“编辑属性对话框中的基线/振幅会影响公有化的副本”、“粘贴自动化对象时,公有化源数据”与“轨道/对象/剃刀编辑进行复制或分割时,公有化源数据”
●默认情况下是否应循环使用新的自动化对象,在“属性”对话框中编辑“基线/振幅”是否会影响公有化副本,以及在粘贴自动化对象和/或通过轨道/对象剃刀编辑进行复制和/或分割时是否公有化源数据。
● Whether to Trim content behind automation items when editing.
“编辑或写入自动化时,修剪掉自动化对象背后的内容”
●编辑时是否修剪掉自动化对象背后的内容。
● Option to set default edge transition time for new automation items (max 200 ms).
“新自动化对象的默认边缘过度时间:”
●为新的自动化对象设置默认边缘过度时间的选项(最大200ms)。
● Whether to automatically append envelope name to automation item label.
“自动附加包络名称到自动化对象标签”
●是否自动将包络名称附加到自动化对象标签。

琴韵晓波

地板 琴韵晓波说：
22.8.3 Editing Behavior, Mouse Preferences
22.8.3 编辑行为:鼠标首选项
The Mouse page of the Options, Preferences, Editing Behavior window (above) is used to determine specify how you would like your mouse to behave in REAPER. Here is a summary of some useful options:
“选项、首选项、编辑行为”窗口(上图)的“鼠标”页面用于确定指定希望鼠标在REAPER中的行为方式。以下是一些有用选项的摘要:
● Mousewheel targets: whether your mousewheel acts on the window currently underneath the mouse or on the last window to have focus. This, for example, allows you to use the mousewheel to adjust the parameters of an open FX window without first having to click on the window to give it focus. Focus can remain with your mixer, or arrange view, or wherever you were before. For example, Esc would then clear the current time selection rather than close the FX window.
● 鼠标滚轮目标: 您的鼠标滚轮是作用于当前鼠标下方的窗口,还是作用于最后聚焦的窗口。例如,这允许您使用鼠标滚轮来调整打开的FX窗口的参数,而不必首先单击该窗口以使其获得焦点。焦点可以留在你的调音台上,或者排列视图,或者你以前在的任何地方。例如,Esc会清除当前时间选区,而不是关闭FX窗口。
● Whether to Ignore the mousewheel on all faders. Disable this or either of the next two options if you wish to use your mousewheel to adjust faders on the TCP and/or the transport bar and/or FX controls.
“在全部推子上忽略鼠标滚轮”
● 是否忽略所有推子上的鼠标滚轮。如果您想使用鼠标滚轮调整TCP和/或走带栏和/或FX控件上的推子,请禁用此选项或禁用下两个选项中的任何一个。
● Whether to Ignore the mousewheel on track panel faders.
“在轨道面板推子上忽略鼠标滚轮”
● 在轨道面板推子上是否忽略鼠标滚轮。
● Whether to Ignore the mousewheel over transport edit fields. If disabled, you can edit text fields such as BPM and play rate just by scrolling your mousewheel over the field. There is also an option to use the mousewheel to adjust transport time by beats.
“在走带面板的编辑字段忽略鼠标滚轮”与“鼠标滚轮按节拍移动走带上的时间选区(Alt切换)”
● 在走带面板的编辑字段是否忽略鼠标滚轮。如果禁用,只需在文本字段上滚动鼠标滚轮即可编辑文本字段,如BPM和播放速率。还可以选择使用鼠标滚轮按节拍调整走带上的时间。
● Whether Horizontal mousewheel over the mixer scrolls tracks rather than arrange view.
“调音台上的水平鼠标滚轮会滚动轨道,而不是排列视图”
● 确定调音台上的水平鼠标滚轮,是滚动轨道,还是排列视图。
● Whether to treat scrolling a laptop trackpad as being like using a mousewheel.
“将某些笔记本电脑的触摸板滚屏消息视作鼠标滚轮”
● 是否将笔记本电脑触控板的滚轮作为鼠标滚轮使用。
● Option to Use pen/tablet safe mode so as not to reposition mouse cursor when adjusting knobs, etc.
“使用笔记本/平板电脑安全模式-调整旋钮/等时不要重新定位鼠标光标”
● 选择使用笔记本/平板电脑安全模式,以便在调整旋钮等时不重新定位鼠标光标。
● When reordering tracks via drag and drop, hold shift key to control folder creation. If enabled, dragged track will be inserted in folder when dropped.
“通过鼠标拖放重新排列轨道,如果出现以下情况,则创建文件夹:”
● 当通过拖放重新排序轨道时,按住shift键可以控制文件夹的创建。如果启用,拖动的轨道将在放置时插入到文件夹中。
● Whether Mouse click on track fader or button causes that track to become the currently selected track. Disabling this allows you to adjust track faders, etc. without changing the track selection.
“鼠标点击音量/声像推子和轨道控件可更改轨道选择”
● 无论鼠标单击轨道推子还是按钮,都会使该轨道成为当前选中的轨道。禁用此选项可以在不更改轨道选择的情况下调整轨道推子等。
● Whether to require a single click or a double click when editing track names.
“单击修改轨道名称(否则需要双击)”
● 编辑轨道名称时需要单击还是双击。
● Whether Mouse click/edit in arrange view changes the track selection and/or Sets track as the target for insert/paste. Enabling the former will ensure that track selection will follow media item selection.
“选择轨道”与“设置插入/粘贴的目标轨道”
● 鼠标在排列视图中单击/编辑是否会更改轨道的选择和/或将轨道设为插入/粘贴的目标。启用前者将确保轨道选择将跟随媒体对象选择。
● Whether to Allow modifying edges of time selection over items in tracks. Lets you click and drag over a track (or between tracks) to adjust start or end of a time selection without affecting item selection.
“允许在轨道上的对象上修改时间选区的边缘”
● 是否允许在轨道上的对象上修改时间选区的边缘。用于在轨道(或轨道之间)上单击并拖动以调整时间选区的开始或结束,而不影响对象的选择。
● Allow resizing ruler by dragging bottom edge. Disable this if you do not want to allow the height of the ruler area to be manually resized.
“允许通过拖动底部边缘来调整标尺大小(否则拖动工具栏下方)”
● 允许通过拖动底部边缘来调整标尺大小。如果不希望手动调整标尺区域的高度,请禁用此选项。
● In addition, for MacOS users on a Mac, there is an option Ctrl left click emulates right click. However, it is a better practice to use your System Preferences to enable right-clicking.
● 此外,对于Mac上的MacOS用户,还有一个选项,“按住Ctrl单击鼠标左键模拟右键单击”。但是,更好的做法是使用您的系统首选项来启用右键单击。
Mouse Modifiers: The topic of Mouse Modifier preferences is covered in Chapter 15 and elsewhere.
鼠标修改键: 鼠标修改键首选项的主题在第15章和其他章节中已介绍。

琴韵晓波

5楼 琴韵晓波说：
22.8.4 Editing Preferences, MIDI Editor
22.8.4 编辑首选项:MIDI编辑器
● Flash MIDI editor keys on track input: if enabled, causes a brief color flash to be displayed on the MIDI editor keyboard when the track receives MIDI note-on input.
●“轨道输入时,闪烁MIDI编辑器中的键”: 如果启用,则当轨道接收到MIDI音符输入时,会在MIDI编辑器键盘上显示简短的彩色闪烁。
● Horizontal grid lines in CC lanes: toggles the option to show horizontal grid lines on and off.
●“在CC子轨上显示水平网格线”: 切换选项以打开和关闭显示水平网格线。
● Events per quarter note when drawing in CC lanes. Specific event density or zoom dependent.
“CC子轨上每个4分音符时间内的事件数量:”与“取决于缩放的比例”
●在CC子轨上显示时,每个四分音符内的事件数量。特定事件密度或取决于缩放的比例。
● Default shape for CC segments: square, linear, slow start/end, fast start, fast end or bezier: also whether to Reduce number of CC events when drawing.
“CC线段的默认形状:”与“绘制时减少CC事件”
●“CC线段的默认形状”: “正方形”、“线性”、“慢速开始/结束”、“快速开始”、“快速结束”或“贝塞尔曲线”: 以及绘制时是否减少CC事件的数量。
● Whether to Display empty space at top/bottom of CC lanes.
“显示CC子轨顶部/底部的空白空间”
●是否在CC子轨的顶部/底部显示空白空间。
● Prevent mouse edits of single events from moving past other CC events.
“阻止鼠标编辑的单个CC事件越过其它事件”
●阻止鼠标编辑的单个事件越过其它事件。
● One MIDI editor per … Select whether a separate MIDI editor instance is required for each item, or for each track, or one instance for the entire project. Depending on your choice you may have other options.
●“一个MIDI编辑器,对于每一个”: 选择是每个对象都需要单独的MIDI编辑器实例,还是每个轨道都需要单独的MIDI编辑器实例,还是整个工程需要一个实例。根据您的选择,您可能还有其他选择。
● Default Behavior for open items in built-in MIDI editor:
““在内联MIDI编辑器中打开对象”的行为:”
●“在内联MIDI编辑器中打开对象”的默认行为:
● If One MIDI editor per project is selected, specify whether to open clicked item only, all selected MIDI items, all MIDI items on the same track or all MIDI items in the project.
●如果每个工程选择一个MIDI编辑器时,请指定是“仅打开单击的MIDI对象”、“打开全部选中的MIDI对象”、“打开同一轨道上的全部MIDI”还是“打开工程内的全部MIDI”。
● You also have three more toggle options. These are:
●您还有另外三个切换选项。这些是:
● Whether Active MIDI item follows selection change in arrange view. This can be on a per media item or per track basis.
“活跃MIDI对象跟随排列视图中的选择更改”
●活跃MIDI对象是否跟随排列视图中的选择更改。这可以基于每个媒体对象或每条轨道。
● Whether Media item selection is linked to visibility and/or Selection is linked to editability.
“选择链接到可见性”与“链接到可编辑性”
●是否将媒体对象选择链接到可见性和/或将选择链接到可编辑性。
● Whether to Close MIDI editor when the active item is deleted in arrange view.
“在排列视图中删除活跃对象时关闭编辑器”
●在排列视图中删除活跃对象时,是否关闭MIDI编辑器。
● Whether secondary items should be editable by default.
“按默认,使辅助对象可编辑”
●默认情况下,辅助对象是否可编辑。
● Whether to Avoid automatically setting MIDI items from other tracks to editable.
“避免自动将其它轨道上的MIDI对象设为可编辑”
●是否避免自动将其他轨道中的MIDI对象设为可编辑。
● Double-click behavior: Whether double-clicking a note should switch the active media item and, if so, whether this should occur only when the media item is on the same track and/or already editable.
●双击行为: 双击音符是否应切换活跃媒体对象,如果是,是否仅当媒体对象在同一轨道上和/或已可编辑时才应切换。
● Whether double-clicking outside the bounds of a media item should extend that media item.
“在任何媒体对象界限外双击以扩展离它最近的媒体对象”
●在媒体对象的边界外双击是否应扩展该媒体对象。
● Option to display a panel showing more information about multiple media items in a single MIDI editor.
●选项,在单个MIDI编辑器中显示面板,显示有关多个媒体对象的更多信息。
● Set Opacity for notes/CC in inactive media items. The higher the number, the darker the notes.
“辅助媒体对象中的音符/CC的透明度(1~3):”
●为非活跃媒体对象中的音符/CC设置不透明度。数字越大,这些音符显示的颜色就越深。
● Default note color map: allows you to specify your own default note color map.
●默认音符颜色映射: 允许您指定自己的默认音符颜色映射。

琴韵晓波

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