5.12 了解发送、总线、次级混音和文件夹——REAPER用户手册中文版

琴韵晓波

楼主 琴韵晓波说：
5.12 Understanding Sends, Buses, Submixes and Folders
5.12 了解发送、总线、次级混音和文件夹

You have already seen that each of the tracks in your projects has its audio output routed by default to the master, and that from here the audio signal is directed to your preferred output device or devices, such as speakers or headphones. The signal flow that occurs here within REAPER can be represented by the first diagram on the right, which shows a simple project with just three tracks.
您已经看到,在默认情况下,工程中的每条轨道都将其音频输出路由到主控,并且音频信号从这里被定向到您首选的一个或多个输出设备,例如扬声器或耳机。在“REAPER”中出现的信号流可以用右边的第一张图来表示,图中显示了一个只有三条轨道的简单工程。
In Chapter2 you were shown how to use a track as an effects bus, for example to add the same reverb effect to a number of tracks.
在第二章中,我们向您展示了如何将轨道用作效果总线,例如,为多条轨道添加相同的混响效果。
The signal flow for this arrangement can be represented by the second flow chart (below right).
该布置的信号流可以由第二流程图(右下方)表示。
Each track’s send carries a signal to the bus track which applies the effect, and then sends the processed (wet) signal on to the Master. As long as the Send Master/Parent option remains enabled, the dry signal for each track is also sent directly to the master. Here it is finally mixed together with the “wet” signal from the bus before being directed to your speakers and/or headphones.
每条轨道的发送都会向总线轨道发送一个信号,总线轨道会施加效果,然后将处理后的(湿声)信号发送到主控。只要“发送主控/父级”选项保持启用状态,每条轨道的干声信号也会直接发送到主控。在这里,它最终与来自总线的“湿声”信号混合在一起,然后被定向到扬声器或耳机。
These two examples use routing arrangements that you would find in most DAW programs. However, we are now about to enter territory where REAPER may be substantially different from other software that you may have used before. This concerns how you can create and use submixes.
这两个例子使用了在大多数DAW程序中可以找到的路由安排。然而,我们现在即将进入REAPER可能与您以前使用过的其他软件有很大不同的领域。这涉及到如何创建和使用次级混音。
With most programs, to create a submix (perhaps for drum tracks or vocal harmonies) you will need to create a bus, add sends from each track that is to be included in the submix, and then disable the direct sends to the master from each of these tracks.
对于大多数程序,要创建次级混音(可能用于鼓轨道或人声和声),您需要创建一条总线,添加次级混音中包含的每条轨道的发送,然后禁用从这些轨道中的每条轨道直接发送到主控。
You can use this method in REAPER.
您可以在REAPER中使用此方法。
Holding Alt while clicking on a track's ROUTE button toggles on and off the direct send to the master. If output to the master is enabled the first of the stripes on the ROUTE button is colored.
按住Alt键同时单击轨道的路由按钮可打开和关闭直接发送到主控。如果向主控的输出已启用,则路由按钮上的第一条条纹为彩色。
If disabled, it is gray. This distinction is shown here. In the first track, the output from the track to the master is enabled, in the second track, it has been disabled.
如果禁用,则为灰色。这里显示了这种区别。在第一条轨道中,启用了从轨道到主控的输出,在第二条轨道中已禁用。
However, a smarter and potentially more powerful way of creating a submix is to use folders (sometimes called track folders). We'll look at how this is done shortly.
然而,创建次级混音的一种更智能、更强大的方法是使用文件夹(有时称为轨道文件夹)。我们稍后将研究如何做到这一点。
A folder track is created initially in the same way as any other track. You then tell REAPER to treat this as a folder track - and essentially that's it. You now have your submix (as shown here on the right). Direct output to the master from the individual “child” tracks within the folder is automatically disabled. Instead, they are passed thru the folder. You should not manually disable the4 master/parent send for child tracks within a folder, or their output will no longer go to the folder track.
文件夹轨道最初是以与任何其他轨道相同的方式创建的。然后你告诉REAPER把它当作一个文件夹轨道——基本上就是这样。你现在有了你的次级混音(如右图所示)。将自动禁用从文件夹中的各个子级轨道直接输出到主控轨。相反,它们是通过文件夹传递的。您不应该手动禁用文件夹中的子级轨道的4个主控/父级发送,否则它们的输出将不再转到文件夹轨道。
Anything that you do to the folder will be done to the entire submix. For example, if you adjust the volume up or down, the volume of the submix will be adjusted up or down. If you add an effect such as a compressor to the folder then that effect will be applied to the submix.
您对文件夹所做的任何操作都将对整个次级混音进行处理。例如,如果您向上或向下调整音量,则次级混音的音量也会向上或向下调整。如果您在文件夹中添加了诸如压缩之类的效果,则该效果将应用于次级混音。
Before we see exactly how a folder and its child tracks are set up, there's one more scenario to consider. Even when you have a folder which contains a submix of other tracks, you can still use buses for the folder itself or for individual tracks inside the folder (see right). In this case our folder (submix) still consists of the same three tracks as before. In addition, however, a send has been created from the folder to an FX bus, perhaps to add reverb to the submix. We'll see an example of this soon.
在我们确切了解文件夹及其子级轨道是如何设置的之前,还有一个场景需要考虑。即使您的文件夹包含其他轨道的次级混音,你仍然可以为文件夹本身或文件夹一侧的单独轨道使用总线(见右)。在这种情况下,我们的文件夹(次级混音)仍然包含和以前一样的三条轨道。不过,除此之外,还创建了一个从文件夹到FX总线的发送,可能是为了给次级混音增加混响。我们很快就会看到一个这样的例子。
There are three types of send - Post-Fader (Post Pan), Pre-Fader (Post FX) and Pre FX. These are explained in Chapter 17 and illustrated by the flow charts at the end of Chapter 6. For the time being, accept the default option, Post-Fader (Post Pan).
有三种类型的发送——“推子后(声像后)”、“推子前(FX后)”和“Fx前”。这些在第17章中进行解释,并在第6章末尾的流程图中进行说明。目前,请接受默认选项,推子后(声像后)。

琴韵晓波

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