14.2 REAPER乐谱编辑器:初识——REAPER用户手册中文版

琴韵晓波

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14.2 REAPER's Notation Editor: a First Look
14.2 REAPER乐谱编辑器:初识

The single most important thing for you to understand about REAPER's notation editor is this: It is a fully integrated part of the MIDI Editor, not a stand-alone module. Any changes you make when editing will be to the MIDI item itself, and will show up in every view. This architecture has a number of significant advantages, such as:
关于REAPER的乐谱编辑器,您需要了解的最重要的一件事是: 它是MIDI编辑器的一个完全集成的部分,而不是一个独立的模块。编辑时所做的任何更改都将是对MIDI对象本身的更改,并将显示在每个视图中。此架构具有许多显著优势,例如:
● If you are familiar with working in, say, piano roll view, then learning to use the notation editor presents a significantly less steep learning curve than would otherwise be the case. Indeed, you would probably be unwise to attempt to use the notation editor without first getting to know the MIDI Editor, and especially piano roll view.
● 如果您熟悉钢琴卷帘视图,那么学习使用乐谱编辑器的学习难度比其他情况下要小得多。事实上,在没有首先了解MIDI编辑器,特别是钢琴卷帘视图的情况下,尝试使用乐谱编辑器,可能是不明智的。
● You can make your edits (such as moving, copying or modifying notes) in whichever view you find it easiest to work. The results of the edits will be visible (and audible) in any view.
● 您可以在您认为最容易操作的任何视图中进行编辑(如移动、复制或修改音符)。编辑结果将在任何视图中可见(并可听到)。
The MIDI Editor's different views are selected from the View menu. The different modes (already introduced in Chapter 13) are: Mode: piano roll (Alt 1) Mode: named notes (Alt 2) Mode: event list (Alt 3) Mode: musical notation (Alt 4).
MIDI编辑器的不同视图是从“视图”菜单中选择的。不同的模式(在第13章中介绍)包括: 模式: 钢琴卷帘(Alt+1)、模式: 命名音符(Alt+2)、模式: 事件列表(Alt+3)、模式: 乐谱(Alt+4)。
Consider the example on the right. This is a fairly simple MIDI item. It could have been imported from an external MIDI file, recorded using a keyboard, or crafted in the REAPER Midi Editor piano roll view or musical notation view. It is shown here in piano roll view (top) and musical notation view. When you switch between views, you are seeing exactly the same notes each time.
考虑一下右边的例子。这是一个相当简单的MIDI对象。它可以从外部MIDI文件导入,使用键盘录制,或者在REAPER MIDI编辑器的钢琴卷帘视图或乐谱视图中制作。它在这里以钢琴卷帘视图(顶部)和乐谱视图显示。在视图之间切换时,每次都会看到完全相同的音符。
You can also see that the MIDI editor environment is also the same. For example, the menus and toolbars are the same, as is the essential MIDI Editor functionality. In either of the two view shown here, for example, you can add, delete or move notes.
您还可以看到MIDI编辑器环境也是一样的。例如,菜单和工具栏是相同的,MIDI编辑器的基本功能也是相同的。例如,在此处显示的两个视图中,您可以添加、删除或移动音符。
Note that a MIDI item can be displayed in only one view at a time (e.g. musical notation mode or piano roll mode, but not both at once), although different items may be open at the same time in different views in separate MIDI Editor instances.
请注意,MIDI对象一次只能在一个视图中显示(例如,乐谱模式或钢琴卷帘模式,但不能同时显示两者),尽管不同的对象可能在单独的MIDI编辑器实例中的不同视图中同时打开。
Note also that the methods employed when working within the different views (or modes) are as far as possible, the same.
还要注意,在不同视图(或模式)中工作时使用的方法尽可能相同。
For example, use double-click to insert a new note. Use rightclick-drag to select a series of notes (marquee). You can perform tasks on your selection such as delete, move, copy, quantize or humanize, and so on. As you will see later in this chapter, musical notation view also incorporates a large number of extra features that are specific to scoring music.
例如,使用双击插入新音符。使用鼠标右键并拖动选择一系列音符(选框)。您可以对所选内容执行删除、移动、复制、量化或人性化等任务。正如您将在本章后面看到的,乐谱视图还包含大量        特定于乐谱设计的额外功能。
First, let's return for a moment to our simple example. For example, you could add some more notes in the piano roll view. When you switched to musical notation view, you would see that your edits were also displayed there. Thus the process of working and moving between the different modes is quite seamless.
首先,让我们回到我们的简单示例。例如,您可以在钢琴卷帘视图中添加更多的音符。当您切换到乐谱视图时,您会看到您的编辑也显示在那里。因此,在不同模式之间工作和移动的过程是非常无缝的。
If you are working with projects which contain more than one track with MIDI items, and/or more than one MIDI item per track, it is important that you understand your options for managing how the MIDI Editor (including musical notation mode) can handle these. You might already be familiar with this, from sections 13.27 to 13.29 of this guide. If necessary, refer back to these sections, but there follows a brief summary.
如果您正在处理的工程包含多个带有MIDI对象的轨道,或每条轨道包含多个MIDI对象,了解用于管理MIDI编辑器(包括乐谱模式)如何处理这些内容的选项非常重要。您可能已经在本指南的13.27到13.29节中熟悉了这一点。如有必要,请回过头来参考这些部分,但下面有一个简短的摘要。

琴韵晓波

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