19.1 概念——REAPER用户手册中文版

琴韵晓波

楼主 琴韵晓波说：
19.1 The Concept
19.1 概念

Parameter modulation is best undertaken by more experienced mixers. This chapter serves as an introduction, but inevitably (because of the complexity of the topic) it is not really pitched at the relatively novice user.
参数调制最好由经验更丰富的调音师进行。本章作为介绍,但不可避免地是(由于主题的复杂性)它并不是真正针对相对新手的用户。
Parameter modulation takes REAPER’s routing, channel splitting, automation and sidechaining capabilities to new levels. You should probably not attempt this chapter unless you already have a sound grasp of these and other concepts. If necessary, turn back to the chapter More Routing Examples and work thru it again. Parameter modulation at its simplest means using the level of a track's volume or one or more FX parameter to control the behavior of one or more other FX parameters on the same track or on a different track or on a number of tracks. Don’t worry if at this stage you find this difficult to comprehend. The concepts of what this is and how it works will become clearer after you have worked thru some examples.
参数调制,将REAPER的路由、通道分裂、自动化和侧链能力提升到了新的水平。除非您已经很好地掌握了这些和其他概念,否则您可能不应该尝试本章。如有必要,请返回到“更多REAPER路由示例”一章,并重新演练。最简单的参数调制是,指使用轨道音量,或一个或多个FX参数的电平,来控制同一轨道、不同轨道,或多条轨道上的,一个或多个其他FX参数的行为。如果在这个阶段您发现这很难理解,请不要担心。在您通过一些例子学习之后,关于这是什么,以及它是如何工作的概念,将变得更加清晰。
One relatively simple example might relate to the application of a chorus plug-in to a guitar or bouzouki track. Suppose that we wish to vary the wet level of the chorus throughout the track. We could, of course, accomplish this with the use of automation envelopes. However, this might involve quite a lot of work and the envelopes might need frequent readjustments. Let's take this idea a step further. We can define a relationship between the instrument’s volume and the wet chorus level, so that as the volume increases the mix becomes drier, and vice versa. The chorus will seem to tail away when the instrument is played more forcefully and become gently more present during the quieter passages. Instead of creating a series of envelopes for our chorus, we can use parameter modulation so that the chorus mix will respond automatically and in real time to changes in volume.
一个相对简单的例子是,合唱插件在吉他或Bouzouki轨道上的应用。假设我们希望在整条轨道上改变合唱的湿声量。当然,我们可以通过使用自动化包络来实现这一点。然而,这可能涉及相当多的工作,包络可能需要频繁调整。让我们把这个想法更进一步。我们可以定义乐器的音量和合唱湿声电平之间的关系,这样随着音量的增加,混音中的干声变得更多,反之亦然。当乐器演奏得更有力时,合唱似乎会逐渐消失,而在安静的段落中,合唱会变得更加轻柔。我们可以使用参数调制来代替为合唱创建一系列包络,这样合唱混音将自动实时响应音量的变化。
Incidentally, this particular example can create an interesting effect of space and distance on the instrument, but as with most of the other examples throughout this User Guide, that is not the main point of the exercise. Changes in an effect like chorus are relatively obvious to the human ear. The main point of this exercise is to show you how parameter modulation is set up and used. It’s then up to you to use and apply it in ways that you'll find will bring new life and vigor to your own mixes.
顺便说一句,这个特定的示例,可以在乐器上创建有趣的空间和距离效果,但与本用户指南中的大多数其他示例一样,这不是本练习的重点。合唱等效果的变化,对人耳来说是相对明显的。本练习的要点是向您展示如何设置和使用参数调制。然后由你来使用和应用它,你会发现它会给你自己的混音带来新的生命和活力。

琴韵晓波

沙发 琴韵晓波说：
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