《REAPER7.0新增功能》中文版

琴韵晓波 · 发表于 2023-10-28 13:22:29

21楼琴韵晓波说：串行与并行FX链
Serial vs Parallel FX Chains
串行与并行FX链
By default, the plugins in a track or item FX chain are processed in serial - that is, one after each other.
默认情况下,轨道或对象FX链中的插件是串行处理的,也就是说,一个接一个。
For example, if you insert both ReaEq and then ReaComp into an FX chain, the audio is passed first through the EQ FX.
例如,如果将ReaEq和ReaComp都插入到FX链中,则音频将首先通过EQ FX。
With EQ added, it is then passed though the compressor.
添加EQ后,再通过压缩器。
This concept is illustrated on the right.
这一概念如右图所示。
This is how most often you are likely to want to have your FX processed.
这就是您经常处理FX的方式。
However, there may be instances when rather than processing effects in serial you wish to process them in parallel.
然而,在某些情况下,您可能希望并行处理效果,而不是串行处理效果。
That is, you wish to process two or more effects (in this example, EQ and compression) each independently of the other, with the separately EQ’d and compressed audio then mixed back together.
也就是说,您希望处理两个或多个效果(在本例中,EQ和压缩),每个效果都独立于另一个效果,分别处理EQ和压缩音频,然后将其混合在一起。
Using this method, you can avoid applying the compressor to the EQ’d signal.
使用此方法,可以避免将压缩器应用于EQ信号。
This concept is illustrated in the second diagram on the right.
这个概念在右边的第二张图中进行了说明。
The steps required to run two effects in parallel are simple:
并行运行两个效果所需的步骤很简单:
 Insert both of the FX into the track or item’s FX chain.
 将两个FX插入到轨道或对象的FX链中。
 Right click over the second of these FX and from the context menu choose Run selected FX in parallel with previous FX.
 在第二个FX上单击鼠标右键,然后从上下文菜单中选择“与上一个FX并行运行选中的FX”。
This is illustrated in the chain shown on the left.
这在左侧显示的链中进行了说明。
The two vertical parallel lines indicate that the audio stream will be processed by ReaEQ and ReaComp in parallel before being passed on through ReaDelay.
两条垂直平行线表示音频流在通过ReaDelay之前将由ReaEQ和ReaComp并行处理。
This technique can be used in any number of cases to explore creative effects.
这种技术可以在任何数量的情况下用于探索创造性效果。
For example, you could use it to apply reverb and compression independently of each other to an instrument, or two separate instances of compression to a vocal.
例如,您可以使用它将混响和压缩彼此独立地应用于乐器,或者将两个单独的压缩实例应用于人声。
Parallel FX processing can also occur within more complex models.
并行FX处理也可能发生在更复杂的模型中。
Consider the third illustration shown on the right.
请考虑右侧显示的第三幅插图。
Here we have four FX in a chain: the audio is first processed through FX1, then FX 2 and FX 3 (and only FX 2 and FX 3) are processed in parallel.
在这里,我们在一个链中有四个FX:首先通过FX1处理音频,然后并行处理FX 2和FX 3(只有FX 2和FX3)。
To achieve this, FX 3 (and only FX 3) needs to be set to run in parallel to its immediately previous FX.
为了实现这一点,FX 3(并且只有FX 3)需要设置为与其前一个FX并行运行。
Finally, the signals for FX2 and FX3 are merged and passed through FX 4.
最后,FX2和FX3的信号被合并并通过FX4。
More complex models are available: more examples, including FX containers, are considered in the next section.
可以使用更复杂的模型:下一节将考虑更多的示例,包括FX容器。
Note: If MIDI items are being processed through midi FX in parallel which filter their own events you should instead use the command option Run selected FX in parallel with previous FX (merge MIDI).
注意:如果MIDI对象是通过MIDI FX并行处理的,过滤它们自己的事件,你应该使用命令选项“与上一个FX并行运行选中的FX(合并MIDI)”。
This should prevent MIDI data from being excluded.
这样可以防止MIDI数据被排除在外。

琴韵晓波 · 发表于 2023-10-28 13:22:42

22楼琴韵晓波说：FX容器
FX Containers
FX容器
Introduction
介绍
This advanced topic is not really suitable for beginners.
这个高级话题并不适合初学者。
REAPER’s FX containers allow you more flexibility and a greater capability in creating and managing FX chains than simply running two or more FX in parallel with each other.
REAPER的FX容器使您在创建和管理FX链方面具有更大的灵活性和能力,而不是简单地并行运行两个或多个FX。
This advanced topic might take a little longer for you to get your head around.
这个高级主题可能需要更长的时间才能让你理清思路。
It’s more appropriate for experienced users than for beginners.
它更适合有经验的用户而不是初学者。
To understand FX containers and how they work, let’s take an example.
为了了解FX容器及其工作方式,让我们举一个例子。
The actual FX used are for illustration only and are not the focus of the exercise.
实际使用的FX仅用于说明,并非练习的重点。
What matters is the technique, which could be applied using other FX.
重要的是这项技术,它可以应用于其他FX。
We will build two parallel FX chains rather than just two parallel FX.
我们将建立两个并行的FX链,而不仅仅是两个并行的FX。
This concept is illustrated by the diagram on the right.
这个概念如右图所示。
To achieve this, REAPER will need to:
为此,REAPER需要:
 Pass the audio signal into a container.
 将音频信号传递到容器中。
 This container will need to consist of enough channels as are needed to allow for (in this case) two parallel chains, i.e. four channels in all, one pair for each chain.
 该容器需要由足够的通道组成,以允许(在这种情况下)两条并行链,即总共四条通道,每条链一对。
 As the audio stream exits the container, the outputs of the two parallel channels will need to be merged as they are passed on thru channels 1/2 of the FX chain to any subsequent FX (in this example, ReaLimit).
 当音频流离开容器时,两个并行通道的输出将需要合并,因为它们通过FX链的1/2通道传递到任何后续FX(在本例中,ReaLimit)。
To recap, channels 1/2 are used by default by the track to send audio output to the master.
概括一下,默认情况下,轨道使用1/2通道向主控发送音频输出。
So, to summarize, a container will need enough inputs and enough channels (in this example, four) to allow the different streams to be processed independently of each other, and enough outputs (again, in this case four) to allow the streams to be merged as they exit the chain.
因此,总的来说,容器将需要足够的输入和足够的通道(在本例中为四个)来允许不同的流彼此独立地处理,以及足够的输出(在本示例中也是四个)以允许流在退出链时合并。
That’s a lot of theory to take in! Let’s see how it’s done in practice.
这有很多理论要借鉴!让我们看看它在实践中是如何做到的。
Example 1
示例1
To set up the FX container described above:
要设置上述FX容器,请执行以下操作:
1. Click on the track’s FX button, then Add, then from the displayed list of FX double-click on Container.
1.单击轨道的FX按钮,然后单击“添加”,然后从显示的FX列表中双击“容器”。
A container is added to the FX chain and its empty window displayed.
将一个容器添加到FX链中,并显示其空窗口。
Immediately after the container, in the far left column, add ReaLimit.
紧接在容器之后的最左列中,添加ReaLimit。
Select the container.
选择容器。
Your FX window should now resemble that shown on the right.
您的FX窗口现在应该类似于右边显示的窗口。
2. Click on the container’s button labeled 2 in+out to open its pin connector window.
2.单击标记为“2 in+out”的容器按钮,打开其针脚连接器窗口。
Here you can define its parameters.
在这里你可以定义它的参数。
We’ll get to the pin connectors shortly.
我们很快就会找到针脚连接器。
First, notice that by default the container inherits the same number of input/output channels as the track - in this case two.
首先,请注意,默认情况下,容器继承的输入/输出通道数量与轨道相同——在本例中为两个。
3. Set the number of container channels, inputs and outputs to (in this example) 4 and complete the pin connector matrix as shown here (right).
3.将容器通道、输入和输出的数量设置为(在本例中)4,并完成此处(右侧)所示的针脚连接器矩阵。
Instead of 2 in+out, the container’s pin connector button will now read 2/4 in+out.
容器的针脚连接器按钮现在将读取2/4 in+out,而不是2 in+out。
4. This directs input from track channel 1 to container inputs 1 and 3, and from track channel 2 to container inputs 2 and 4.
4.这将输入从轨道通道1引导到容器输入1和3以及从轨道通道2引导到容器输入2和4。
Output from container channels 1 and 3 will pass to track channel 1, and output from container channels 2 and 4 will pass to track channel 2.
来自容器通道1和3的输出将传递到轨道通道1,来自容器通道2和4的输出将传递到轨道通道2。
5. Using the Add button in the container window we can now insert the required FX into the container’s FX chain - for this example ReaEQ, ReaDelay, ReaVerbate and a second instance of ReaEQ.
5.使用容器窗口中的“添加”按钮,我们现在可以将所需的FX插入容器的FX链中——例如ReaEQ、ReaDelay、ReaVerbate和第二个ReaEQ实例。
Your FX window should now resemble that shown (above).
您的FX窗口现在应该与上面显示的类似。
6. The pin connectors for the first two container FX will both need to be set to receive input from and send output to container channels 1 and 2 only, as shown here (below left).
6.前两个容器FX的针脚连接器都需要设置为仅从容器通道1和2接收输入和向容器通道2发送输出,如这里所示(左下)。
7. Similarly, the pin connectors for other two FX will both need to be set to receive input from and send output to container channels 3 and 4 only (below right).
7.类似地,其他两个FX的针脚连接器都需要设置为仅从容器通道3和4接收输入并向容器通道4发送输出(右下)。
8. Finally, you can experiment with adjusting the various FX parameters - and save this file as a model that you might find useful for future use.
8.最后,您可以尝试调整各种FX参数,并将此文件保存为一个魔板,以便将来使用。
Note: A new container can be added to an existing FX chain by choosing Add FX container from the FX menu.
注意:通过从FX菜单中选择“添加FX容器”,可以将新容器添加到现有的FX链中。
You can also create a new container from this menu by selecting any FX or selection of FX in the chain and choosing Move to container from the FX menu.
您也可以从该菜单创建一个新容器,方法是选择链中的任何FX或构建FX选择,然后从FX菜单中选择“移动到容器”。
Example 2
示例2
In this example we will split an audio stream into two chains - left and right - and apply separate FX to each stream before returning the signal to the FX chain, one FX to channel 1 (left) only and the other to channel 2 (right) only.
在这个例子中,我们将把一个音频流分成两个链——左和右——并在将信号返回到FX链之前对每个流应用单独的FX,一个FX仅到通道1(左),另一个仅到通道2(右)。
A possible application for this technique could be on a vocal, using one EQ instance to add body, the other to add clarity.
这项技术的一个可能应用可能是在人声上,使用一个EQ实例来增加主体,另一个来增加清晰度。
In this case, the pin connector numbers should be left at its default settings - two container channels, two inputs, two outputs.
在这种情况下,针脚连接器编号应保留在其默认设置中——两个容器通道、两个输入、两个输出。
The pin connector settings for each of the two EQ instances could then not be simpler.
两个EQ实例中每个实例的针脚连接器设置再简单不过了。
The first takes its input from and sends its output to channel 1 only (as shown here).
第一个只从通道1获取输入,并将输出发送到通道1(如图所示)。
The second takes its input from, and sends its output to, channel 2 only.
第二个只从通道2获取输入,并将输出发送到通道2。
More Complex Applications FX containers are handy, but even they do have their limitations!
更复杂的应用程序FX容器很方便,但即使是它们也有其局限性!
More complex models can be created using REAPER’s pin connectors - for example, fine tuning your parallel processing requirements, or directing the output from some FX to a different track.
使用REAPER的针脚连接器可以创建更复杂的模型,例如,微调并行处理要求,或将某些FX的输出引导到不同的轨道。
For these and other related topics refer to to the JS: Channel Mapper-Downmixer in the REAPER User Guide.
有关这些和其他相关主题,请参阅REAPER用户指南中的JS: 通道映射缩混器。
Tip 1: FX containers can be even more powerful when combined creatively with other REAPER features.
提示1:FX容器在与其他REAPER功能创造性地结合时可以更加强大。
For example, you can have two or more containers running in parallel with each other!
例如,可以有两个或多个容器并行运行!
Tip 2: You can select any FX or number of FX in a track or item’s FX chain, then choose Move FX to container from their right-click context menu to move those FX into a new container.
提示2:您可以在轨道或对象的FX链中选择任何FX或任何数量的FX,然后从右键单击上下文菜单中选择“移动FX到容器”,将这些FX移动到新容器中。

琴韵晓波 · 发表于 2023-10-28 13:22:55

23楼琴韵晓波说：可视化轨道间隔区
The Visual Track Spacer
可视化轨道间隔区
REAPER’s visual track spacer can be used to insert a spacer between any tracks, as required.
REAPER的可视化轨道间隔区可用于根据需要在任何轨道之间插入间隔区。
This can be helpful in easily identifying in a project tracks which belong together, or simply to prevent screen clutter.
这有助于在工程中轻松识别属于一起的轨道,或者简单地防止屏幕混乱。
A simple example is shown here.
这里显示了一个简单的示例。
Shown left are a vocal tracks and two guitar tracks.
左边显示的是一条声乐轨道和两条吉他轨道。
A space has been inserted above the first guitar track (track 3) to visually separate the guitar tracks from the other tracks.
在第一吉他轨道(轨道3)上方插入了一个间隔区,以便在视觉上将吉他轨道与其他轨道分开。
Default track spacer height is 16 pixels: you can change this value in your Options, Preferences, Appearance settings.
默认轨道间隔区高度为16像素: 您可以在“选项”、“首选项”和“外观”设置中更改此值。
Spacing is added in arrange view by right clicking over a track’s track panel and choosing Virtual spacer from the context menu.
通过在轨道的轨道面板上单击鼠标右键并从上下文菜单中选择“可视化间隔区”,可以在排列视图中添加间隔。
Options are to add a spacer before or after the track, or both, or to remove existing spacers.
选项有在轨道的上方或下方添加一个间隔区,或两者都添加,或移除现有间隔区。
To add a spacer after or before a number of adjacent tracks, simply select all of the required tracks and right click over any one of their track panels: choose Virtual spacer from the menu, then make your selection as before.
要在多条相邻轨道的下方或上方添加间隔区,只需选择所有所需轨道,然后右键单击其任意一个轨道面板: 从菜单中选择“可视化间隔区”,然后像以前一样构建选择。
Note that if multiple tracks are selected, the space will be added before the first track in the selection, or after the last track, or both, depending on your menu selection.
请注意,如果选择了多条轨道,则根据菜单选择,间隔区将添加到选择中的第一条轨道的上方,或添加到最后一条轨道的下方,或添加到两条轨道之间。
A quick and easy way of adding or removing spacers between tracks is within the track manager.
在轨道管理器中,可以快速简便地在轨道之间添加或移除间隔区。
The track manager is covered in detail in Chapter 12.
第12章详细介绍了轨道管理器。
For now, note that spacers can be added above any track or tracks.
现在,请注意,可以在任何一条或多条轨道上方添加间隔区。
Simply click in the Spacer column for each track where you require spacing to be added: click again to remove the spacing (see above left).
只需在需要添加间隔的每条轨道的“间隔区”列中单击: 再次单击以删除间隔(见左上角)。
If you are moving a track or track selection up or down the track order, you can drop the track below a spacer to place it after the spacer, above a spacer to place it before the spacer, or in the middle of a spacer (as shown here) to show spacers both above and below it.
如果要按轨道顺序向上或向下移动轨道或轨道选择,可以将轨道放在间隔区下方,将其放置在间隔区的下方,也可以将轨道置于间隔区上方,将其置于间隔区的上方,或者将轨道置于间隔区中间(如图所示),以显示其上方和下方的间隔区。
To move a spacer from one track to another, use Left drag up or down.
若要将间隔区从一条轨道移动到另一条轨道,请使用左键向上或向下拖动。
To copy a spacer from one track to another, use Ctrl left drag up or down.
若要将间隔区从一条轨道复制到另一条轨道,请使用Ctrl键+左键向上或向下拖动。

琴韵晓波 · 发表于 2023-10-28 13:23:08

24楼琴韵晓波说：对象淡变默认设置
Item Fade Default Settings
对象淡变默认设置
Separate fade/crossfade settings can be set for imported media items, split media items, recorded media items and fixed lane comp areas - Preferences, Project, Item Fade Defaults.
可以为导入的媒体对象、分割媒体对象、录制的媒体对象和固定子轨拼合区设置单独的淡变/交叠淡变设置——首选项、工程、对象淡变默认设置。
A new option has been added to Apply fade-in/fade-out/crossfade to MIDI items.
为MIDI对象应用淡入/淡出/交叠淡变添加了一个新选项。
These will include project auto-crossfade settings.
这些将包括工程自动交叠淡变设置。
Note that fades on MIDI items are applied to velocity, not to volue.
请注意,MIDI对象上的淡变应用于力度,而不是音量。

琴韵晓波 · 发表于 2023-10-28 13:23:22

25楼琴韵晓波说：视频: 显示后台工程中的视频。
Video: Show Video from Background Projects.
视频: 显示后台工程中的视频。
New command on Projects Tab right click context menu to: Display video from background projects if active project lacks video
工程选项卡上的“新建”命令在上下文菜单上单击鼠标右键以: 如果活跃工程缺少视频,则显示后台工程中的视频

琴韵晓波 · 发表于 2023-10-28 13:23:34

26楼琴韵晓波说：动画图标
Animated Icons
动画图标
Some icons on your toolbar are animated by default.
默认情况下,工具栏上的某些图标已带有动画。
Most icons, including toggle icons and those that you add yourself, can be animated if you wish.
如果你愿意,大多数图标,包括切换图标和你自己添加的图标,都可以带有动画。
The main exceptions are tools that simply execute as command, such as new project.
主要的例外是简单地作为命令执行的工具,例如新建工程。
The item grouping and move envelope points with media items tool are animated by default, but you can turn this off if you wish.
默认情况下,“对象编组”和“包络点随媒体对象一起移动”工具会带有动画,但如果您愿意,也可以关闭此功能。
Toolbar animation is managed within the Customize menus/toobars dialog.
工具栏动画在“自定义菜单/工具栏”对话框中进行管理。
1. Right click over the toolbar background area and choose Customize toolbar … from the menu.
1.右键单击工具栏背景区域,然后从菜单中选择“自定义工具栏…”。
This will open the Customize menus/toolbar dialog with Main toolbar selected.
这将打开“自定义菜单/工具栏”对话框,并选择“主工具栏”。
2. Right-click on the name of the tool that you wish to modify.
2.右键单击要修改的工具的名称。
From the context menu choose Highlight with animation based on toggle state.
从上下文菜单中,选择“基于切换状态使用动画高亮显示”。
3. A submenu of options will be displayed.
3.将显示选项的子菜单。
These are explained below.
以下将对此进行解释。
4. Make your choice or choices from this submenu.
4.在此子菜单中进行选择。
5. Click the Apply button.
5.单击“应用”按钮。
When you have finished making your changes click on OK.
完成更改后,单击“确定”。
Animation submenu options
动画子菜单选项
Do not animate, Animate if toggle state enabled, Animate if toggle state disabled: these three options are self-explanatory and mutually exclusive.
“无动画”、“启用切换状态时动画”和“禁用切换状态时动画”: 这三个选项不言自明且相互排斥。
Select whichever you require.
选择您需要的选项。
Highlight animation or Armed animation: you can select either one of these visual effects, or one of the blink options.
“高亮显示动画”或“预备动画”: 您可以选择其中一种视觉效果,也可以选择闪烁选项。
Slow blink or Fast blink: these cause the selected tool to blink, or flash, between two different color states.
“慢速闪烁”或“快速闪烁”: 这会导致所选工具在两种不同的颜色状态之间闪烁。
In the default theme these are red and green.
在默认主题中,这些是红色和绿色。

琴韵晓波 · 发表于 2023-10-28 13:23:49

27楼琴韵晓波说：在恢复模式下打开文件
Opening a File in Recovery Mode
在恢复模式下打开文件
Any computer program will crash given the right (or wrong?) circumstances.
任何计算机程序都会在正确(或错误)的情况下崩溃。
This can be because of a problem with some third party plug-in.
这可能是因为某些第三方插件出现问题。
If this happens, you should enable the option to Open with FX offline (recovery mode) when re-opening the file from the File, Open project dialog box (see right).
如果发生这种情况,在从“文件”、“打开工程”对话框(见右侧)重新打开文件时,应启用“以FX离线的方式打开(恢复模式)”选项。
This will open the file with all FX set offline.
这会以全部FX设为离线的方式打开文件。
By reintroducing them online one at a time, you should be able to identify which one is causing the problem.
通过一次一个地在网上重新引入它们,您应该能够确定是哪一个导致了问题。
To then fix the problem you should remove this plug-in and replace it with another of equivalent functionality.
为了解决这个问题,您应该删除这个插件,并用另一个等效的功能替换它。
Another method is to hold down Alt while you open a file from the File, Recent projects menu.
另一种方法是在从“文件”、“近期工程”菜单打开文件时按住Alt键。

琴韵晓波 · 发表于 2023-10-28 13:24:02

28楼琴韵晓波说：轨道通道
Track Channels
轨道通道
REAPER now supports up to 128 channels for routing, etc.
REAPER现在支持多达128个通道用于路由等。

琴韵晓波 · 发表于 2023-10-28 13:24:15

29楼琴韵晓波说：ARA公有化编辑
ARA Pooled Edits
ARA公有化编辑
REAPER now supports ARA pooled edits.
REAPER现在支持ARA公有化编辑。
Options, Preferences, Plugins, ARA
选项、首选项、插件、ARA
See Melodyne documentation for more information about editing.
有关编辑的更多信息,请参阅Melodyne文档。

琴韵晓波 · 发表于 2023-10-28 13:24:32

30楼琴韵晓波说：包络颜色覆盖
Envelope Color Overrides
包络颜色覆盖
Envelope color overrides offer you a greater capability to customise the colors used for your envelopes.
包络颜色覆盖为您提供了更大的功能来自定义包络使用的颜色。
To use it to its full extent you will need to understand something about boolean logic, explained in Chapter 6.
要充分使用它,您需要了解布尔逻辑,如第6章所述。
To access this feature, choose Options, Preferences, Appearance, Envelope Colors.
要访问此功能,请选择“选项”、“首选项”、“外观”、“包络颜色”。
The number of ways in which this can be used is almost limitless, and everyone will have their own ideas.
这种方法的使用方式几乎是无限的,每个人都会有自己的想法。
Here are some example.
下面是一些例子。
To create an override rule, click the Add button then create your definition.
若要创建覆盖规则,请单击“添加”按钮,然后创建定义。
Here are two simple examples.
这里有两个简单的例子。
You might use a variety of compressors and often need to automate ratio and threshold.
您可能会使用各种压缩器,并且经常需要自动化压缩比和阈值。
You can define a color override so that ratio and threshold envelopes always use your preferred color, regardless of the actual plug-in.
您可以定义颜色覆盖,以便压缩比和阈值包络始终使用您喜欢的颜色,而不管实际的插件是什么。
1. Click on the Add button.
1.单击“添加”按钮。
You will be asked to type a name.
系统将要求您键入一个名称。
Type ratio, click OK.
键入ratio,单击“确定”。
2. Double click on the color shown, select your color and click OK.
2.双击显示的颜色,选择您的颜色,然后单击“确定”。
3. Click again on Add, type thresh, click OK pick a color as before and click OK.
3.再次单击“添加”,键入thresh,然后单击“确定”,像以前一样选择一种颜色,然后单击确定。
4. For both of these, if Enabled is not selected by default, click in the Enabled column to enable them.
4.对于这两种情况,如果默认情况下未选择“启用”,请单击“启用”列以启用它们。
You should see a mark (as shown on the right).
您应该看到一个标记(如右图所示)。
5. Now add a compressor of your choice to any track and add envelopes for both ratio and threshold.
5.现在将您选择的压缩器添加到任何轨道,并添加压缩比和阈值的包络线。
They should conform to your color choices.
它们应该符合你的颜色选择。
Let’s get a bit more clever.
让我们变得更聪明一点。
We might use delay and reverb often in our mixes, and also often want to automate the wet parameter.
我们可能会在混音中经常使用延迟和混响,也经常希望自动调整湿声参数。
We also want to color code the envelopes so it is visually obvious whether this is a delay envelope or a reverb one.
我们还想对包络进行颜色编码,以便在视觉上清楚地看到这是延迟包络还是混响包络。
The rules shown here (right) will achieve this.
这里显示的规则(右)将实现这一点。
Note that you will need to type spaces both before and after the AND.
请注意,您需要在and之前和之后键入空格。
Now let’s throw a spanner in the works!
现在,让我们开始行动吧!
Suppose your FX library includes a reverb plugin that doesn’t have “verb” in its name?
假设你的FX库包含一个名称中没有“verb”的混响插件?
Let’s call it “SuperDoop.”
让我们称之为“SuperDoop.”
What then?
那怎么办?
You can edit the rule to allow for this!
您可以编辑规则以允许此操作!
We amend the second rule to read: ( Super OR verb ) AND wet
我们将第二条规则修改为:
( Super OR verb ) AND wet
Note that a space is required after opening and before closing brackets.
请注意,在左括号之后和右括号之前需要留一个空格。
Spaces are required before and after the OR and the AND.
在OR和and之前和之后需要一个空格。
You can also use a NOT operator.
您也可以使用NOT语法。
For example, look at these two rules: gain AND rea and gain NOT rea
例如,看看这两条规则:
gain AND rea and gain NOT rea
This would allow you to apply separate color coding to a Gain parameter depending on whether it is one of the Cockos Rea plug-ins or not.
这将允许您对增益参数应用单独的颜色编码,具体取决于它是否是Cockos-Rea插件之一。
That should give you enough ideas to get you started! The better your understanding of boolean logic, the greater use you will be able to make of this facility.
这应该会给你足够的想法,让你开始!你对布尔逻辑的理解越好,你就能更好地利用这个工具。
Note also:
另请注意:
The Remove button will remove a currently selected rule from the list.
“移除”按钮将从列表中移除当前选中的规则。
The Export button can be used to export your current overrides to a .EnvColorList file.
“导出”按钮可用于将当前覆盖导出到.EnvColorList文件。
The Import button can be used to import any previously exported color list file.
“导入”按钮可用于导入任何以前导出的颜色列表文件。
Note: If (presumably in error) two or more of your rules contradict each other, then REAPER will apply whichever one is higher up in the list.
注意:如果(可能是错误的)你的两个或多个规则相互矛盾,那么REAPER将应用列表中较高的一个。

琴韵晓波 · 发表于 2023-10-28 13:24:44

31楼琴韵晓波说：轨道文件夹:各种改进
Track Folders: Various Improvements
轨道文件夹:各种改进

琴韵晓波 · 发表于 2023-10-28 13:24:57

32楼琴韵晓波说：拖放选项
Drag and Drop Options
拖放选项
One way of creating folders is by dragging and dropping.
创建文件夹的一种方法是拖放。
You identify which track is to be the folder, which are to be its children, then select and drag and drop the children into the folder.
您可以确定哪条轨道将成为文件夹,哪些轨道将成为其子轨道,然后选择并将子轨道拖放到文件夹中。
This method can be rather tricky unless you are precise in your mouse movements.
这种方法可能相当棘手,除非你的鼠标移动准确。
You might recall that in Section 2.28 Managing Tracks of the REAPER User Guide we saw that dragging and dropping track panels up or down the track display can move them and park them in a new position.
您可能还记得,在REAPER用户指南的第2.28节“管理轨道”中,我们看到在轨道显示器上向上或向下拖动轨道面板可以移动轨道面板并将其停放在新位置。
This time, however, that’s not what we want.
然而,这一次,这不是我们想要的。
The trick is to drop the tracks inside a small drop zone used for creating folders.
诀窍是将轨道放置在用于创建文件夹的小放置区内。
The exact area and size if this drop zone will vary with track height and track width: as a guide, think of it as being a rectangle that extends from the bottom left corner of the track panel just over half way up the track height and to its right by just under a quarter of the track width.
如果这个下降区域的确切面积和大小会随着轨道高度和轨道宽度的变化而变化:作为指导,可以将其视为一个矩形,从轨道面板的左下角延伸到轨道高度的一半以上,并向右延伸到轨道宽度的四分之一以下。
You’ll know when you’re there because the mouse cursor will display a folder (as shown above left) rather than a hand (as shown above right).
您将知道何时到达,因为鼠标光标将显示一个文件夹(如左上所示),而不是一只手(如右上所述)。
Tracks 3 and 4 have been selected and dragged up to Track 1, which is to be their folder container track (left).
轨道3和4已被选中并向上拖动到轨道1,这将是它们的文件夹容器轨道(左)。
However, the mouse still displays a hand.
但是,鼠标仍然显示一只手。
If we were to release the mouse now, they would simply be moved to immediately below Track 1.
如果我们现在释放鼠标,它们只需移动到轨道1的正下方即可。
Instead, we move the mouse cursor left into the folder drop zone, so that it changes from a hand to the image of a folder (above right).
相反,我们将鼠标光标向左移动到文件夹放置区域,使其从一只手变为文件夹的图像(右上方)。
We release the mouse, and the two guitar tracks are now placed inside a new folder (left), with Track 1 as the containing folder track.
我们释放鼠标,两条吉他轨道现在被放置在一个新的文件夹(左)中,轨道1作为包含的文件夹轨道。
Note: You can start your drag and drop from any part of the track panel (apart, of course, from the controls themselves), but to place the tracks into a folder you must move the mouse cursor to the folder drop zone before releasing it.
注意:您可以从轨道面板的任何部分开始拖放(当然,除了控件本身),但要将轨道放置到文件夹中,您必须将鼠标光标移动到文件夹放置区域,然后才能释放它。
Notice the small down pointing arrow just above the track number of the folder track (in this case Track 1).
请注意,文件夹轨道(在本例中为“轨道1”)的轨道编号正上方有一个向下的小箭头。
By default, this can be used to toggle the display of child tracks in the folder between normal (as shown by default), minimized and collapsed.
默认情况下,这可用于在正常(默认情况下显示)、最小化和折叠之间切换文件夹中子级轨道的显示。
Shown below is the same folder with its child tracks collapsed.
下面显示的是折叠了子级轨道的同一文件夹。
If you prefer not to use this method for drag and drop there is another option available.
如果您不想使用这种方法进行拖放,还有另一个选项可用。
You can go to Options, Preferences, Editing Behavior, Mouse and turn on When reordering tracks via drag and drop, hold shift key to control folder creation.
您可以转到“选项”、“首选项”、“编辑行为”、“鼠标”,然后启用“通过拖放重新排序轨道时,按住Shift键可控制文件夹的创建”。
Then click OK.
然后单击“确定”。
Simple drag and drop will still move tracks: holding Shift while doing so will create a folder and place adjacent tracks into it.
简单的拖放仍然可以移动轨道:按住Shift键可以创建一个文件夹并将相邻的轨道放入其中。
There will be no need to identify or use a folder drop zone - anywhere in the track panel will do.
无需识别或使用文件夹放置区域——轨道面板中的任何位置都可以。

琴韵晓波 · 发表于 2023-10-28 13:25:12

33楼琴韵晓波说：上下文菜单文件夹选项
Context Menu Folder Options
上下文菜单文件夹选项
Another option for moving tracks into folders can be found on the track panel context menu.
在轨道面板上下文菜单中可以找到另一个将轨道移动到文件夹中的选项。
The panel’s context menu includes a Move to folder command that will place a selection of tracks into a new or existing folder.
该面板的上下文菜单包括“移动到文件夹”命令,该命令将把选中的轨道放置到新文件夹或现有文件夹中。
First, select the tracks that you wish to move into a folder, then from the right click context menu choose Move tracks to folder.
首先,选择要移动到文件夹中的轨道,然后从右键单击上下文菜单中选择“移动轨道到文件夹”。
You can then select from the list of existing folders or choose New folder track to insert the tracks into a new as yet unnamed folder, immediately above the first track in the selection.
然后,您可以从现有文件夹列表中进行选择,或者选择“新建文件夹轨道”将轨道插入到新的尚未命名的文件夹中,该文件夹位于所选第一条轨道的正上方。
You can then name the folder track by double-clicking in its name area.
然后,您可以通过双击其名称区域来命名文件夹轨道。

琴韵晓波 · 发表于 2023-10-28 13:25:26

34楼琴韵晓波说：文件夹折叠轨道轮换选项
Folder collapse track cycle options
文件夹折叠轨道轮换选项
In Preferences, Appearance, Track Control Panel there is an option to include hidden in the cycle options (see below).
在“首选项”、“外观”和“轨道控制面板”中,有一个选项要包含在轮换选项中(请参见下文)。
This allows you to hide child tracks altogether.
这允许您完全隐藏子级轨道。

琴韵晓波 · 发表于 2023-10-28 13:25:38

35楼琴韵晓波说：自定义工具栏支持
Custom Toolbar Support
自定义工具栏支持
REAPER supports up to 32 general and 16 MIDI only additional toolbars that you can set up to suit your particular requirements.
REAPER最多支持32个通用工具栏和16个仅限MIDI的附加工具栏,您可以根据自己的特定要求进行设置。
By selecting which commands or actions are added to these toolbars you are able create one click access to your most important commands and actions.
通过选择要添加到这些工具栏中的命令或操作,您可以创建对最重要的命令和操作的一键访问。
Detailed information and instructions as to how to set up and use custom toolbars are included in sections 15.23 to 15.27 of the REAPER User Guide.
关于如何设置和使用自定义工具栏的详细信息和说明,请参阅REAPER用户指南的第15.23至15.27节。

琴韵晓波 · 发表于 2023-10-28 13:25:50

36楼琴韵晓波说：MIDI编辑器: 设置
MIDI Editor: Settings
MIDI编辑器: 设置
Option added (Options, Preferences, Editing Behavior, MIDI Editor) for when using one MIDI editor per project for active MIDI item to follow selection changes in arrange view.
添加了选项(选项、首选项、编辑行为、MIDI编辑器),用于在排列视图中为活跃MIDI对象使用每个工程一个MIDI编辑器以遵循选择更改时使用。
This can be set to on a per track basis or per media item basis.
这可以在每条轨道的基础上或在每个媒体对象的基础上设置。

琴韵晓波 · 发表于 2023-10-28 13:26:03

37楼琴韵晓波说：MIDI编辑器: CC子轨改进
MIDI Editor: CC Lane Improvements
MIDI编辑器: CC子轨改进
The File menu has new commands to Rename last clicked note and Rename last-clicked CC lane.
“文件”菜单中有“重命名最后单击的音符”和“重命名最后单击的CC子轨”的新命令。
The CC Lane dropdown menu includes Set lane (lanes with events) which will display a list of all lanes that already contain data, whether they are currently displayed or not.
CC子轨下拉菜单包括“设置子轨(有事件的子轨)”,它将显示已包含数据的所有子轨的列表,无论它们当前是否显示。
Shown here, this includes Velocity, Off Velocity and Pitch.
如图所示,包括“力度”、“关闭力度”和“弯音”。
Select one to display that lane.
选择一个以显示该子轨。
When using the pitch lane, you can set a custom pitchwheeel range (in semitones), by right clicking over the text “Snap” and typing a number.
使用弯音轮子轨时,您可以通过右键单击文本“吸附”并键入数字来设置自定义弯音轮子轨范围(以半音为单位)。
Optionally, you can also engage the snap option.
也可以选择使用吸附选项。
To scroll through the list of available CC lanes: to do this, hover your mouse over the currently displayed name and scroll with the mousewheel (see left).
要滚动可用CC子轨的列表: 为此,请将鼠标悬停在当前显示的名称上,然后使用鼠标滚轮滚动(请参见左侧)。
For vertical zoom within a CC lane use Ctrl Mouse wheel: for horizontal zoom use Ctrl Alt Mouse wheel.
对于CC子轨内的垂直缩放,使用Ctrl+鼠标滚轮:对于水平缩放,使用Ctrl+Alt+鼠标滚轮。
For horizontal zoom use Alt Mousewheel.
对于水平缩放,请使用Alt+鼠标滚轮。

琴韵晓波 · 发表于 2023-10-28 13:26:16

38楼琴韵晓波说：渲染格式: 支持原始PCM数据
Rendering Formats: Raw PCM Data Supported
渲染格式: 支持原始PCM数据
Render to File dialog now allows you to choose Raw PCM data as either your primary or secondary output format.
“渲染到文件”对话框现在允许您选择原始PCM数据作为主输出格式或辅助输出格式。

琴韵晓波 · 发表于 2023-10-28 13:26:31

39楼琴韵晓波说：增强的文件备份首选项和选项
Enhanced File Backup Preferences and Options
增强的文件备份首选项和选项
Make yourself familiar with the various backup options described here.
请熟悉此处介绍的各种备份选项。
Good management of backup procedures can achieve the twin objectives of keeping secure copies of your projects and media files without overloading your disk(s) with unnecessary file clutter.
良好的备份过程管理可以实现两个目标,即保持工程和媒体文件的安全拷贝,而不会使磁盘因不必要的文件混乱而过载。
By default, when you first install REAPER these options are all set to off.
默认情况下,当您第一次安装REAPER时,这些选项都设置为禁用。
Backup options are:
备份选项包括:
 Backups when saving project.
“保存工程时备份”。
保存工程时进行备份。
 Preserve previous saved version as rpp-bak file, or
“将以前保存的工程版本保留为<project>.rpp-bak”
将以前保存的版本保留为rpp-bak文件,或者
 Preserve all previously saved versions of project in one large rpp-bak file, or
“在一个(大的)<project>.rpp-bak中保留以前保存的工程的全部版本”
在一个大型的rpp-bak文件中保留以前保存的工程的所有版本,或者
 Preserve previously saved versions of project as timestamped rpp-bak file, or
“将以前保存的工程版本保留为<project>-[时间戳].rpp-bak”
 将以前保存的工程版本保留为带时间戳的rpp-bak文件,或者
 None of these.
这些都没有。
 Save timestamped backups to Backups project subdirectory.
“将带时间戳的备份保存到Backups工程子目录中”。
Helps to keep backup files organised and accessible.
有助于保持备份文件的有序性和可访问性。
 Limit [number of] backups to most recent n copies or unique days.
将[备份数量]限制为最近的n个副本或规定天数。
Sets a limit to prevent obsolete or redundant backups creating too much file clutter on your disk(s).
设置一个限制,以防止过时或冗余备份在磁盘上造成过多的文件混乱。
Auto-save options are:
自动保存选项包括:
 Auto-save to timestamped file in project directory.
在工程目录中自动保存带时间戳的备份文件。
 Save auto-saved project backups to Auto-Saves project subdirectory.
“在AutoSaves工程子目录中保存自动保存的工程备份”
将自动保存的工程备份保存到“AutoSaves”工程子目录中。
 Limit auto-saved backups to most recent nn copies or unique days.
限制自动保存的备份为最新的副本数或规定天数。
 Specify directory for auto-saves to timestamped file.
“在附加目录中自动保存带时间戳的备份文件”
 指定自动保存到带有时间戳的文件的目录。
 Limit backups to most recent nn copies for current project, or unique days for current project, or copies for all projects, or unique days for all projects.
“当前工程的副本数”、“当前工程的规定天数”、“全部工程的副本数”、“全部工程的规定天数”
将备份限制为当前工程的最新副本数、当前工程的规定天数、全部工程的副本数或全部工程的规定天数。
 Auto-save to project file.
“自动保存到工程文件中(不推荐)”
自动保存到工程文件中。
 Set auto save interval to nn minutes when not recording, or when stopped, or any time.
不录音时、停止时或任何时间将自动保存间隔设置为nn分钟。
 Save undo history (RPP-UNDO) (if enabled in General Prefs) with auto-saved projects.
在自动保存的工程中保存用于撤销的录音(RPP-UNDO)(如果在“常规首选项”中启用)。
 Specify auto-save path for unsaved projects.
“未保存工程的自动保存路径”
为未保存的工程指定自动保存的路径。

琴韵晓波 · 发表于 2023-10-28 13:26:44

40楼琴韵晓波说：首选项的其他更改
Other Changes to Preferences
首选项的其他更改
REAPER’s preferences have been significantly reorganised, including the introduction of several new pages, some of which replace former sections and a considderable number of new items.
REAPER的偏好已经进行了重大重组,包括引入了几个新页面,其中一些页面取代了以前的部分和数量可观的新项目。
Here is a summary of the main changes.
以下是主要变化的摘要。
See the full REAPER User Guide (Chapter 22) for further details and explanations.
有关更多详细信息和解释,请参阅完整的REAPER用户指南(第22章)。
Sections removed
已移除的部分
Project, Media Item Defaults
工程,媒体对象默认设置
Appearance, Media Item Positioning
外观、摆放媒体对象位置
New sections:
新增的部分
Project, Item Fade Defaults
工程,对象淡变默认设置
Project, Item Loop Defaults
工程,对象循环默认设置
Audio, Scrub/Jog
音频,擦带/拖动播放
Appearance, Loop/Lane recording
外观,循环/子轨录音
Project, Track/Send Defaults
工程,轨道/发送默认设置
Appearance, Envelope colors
外观,包络颜色
Appearance, Track Control Panel
外观,轨道控制面板
Appearance, Track Meters
外观,轨道仪表
Appearance, Zoom/Scroll/Offset
外观,缩放/滚动/偏移
Plug-ins, ARA
插件,ARA

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[软硬件用户手册] 《REAPER7.0新增功能》中文版